Elegy for a Goat ©️

I wake just after dusk, throat dry like the desert wind, heart beating slow and deliberate—like a drum echoing across the empty canyons of time. I am not a man. I’m not quite a beast. I am… an idea. A whisper they tell around campfires when the tequila’s nearly gone and the fear starts to taste sweet.

They call me Chupacabra. They don’t know what that means. Not really.

I crawl out from under an abandoned trailer on the edge of nowhere—rusted, forgotten, beautiful in its ruin. The moon greets me like an old lover, cold and luminous. I crack my neck. I smile. I vanish into the mesquite and shadow.

I’ve got a thirst. Not just for blood—but for something pure. Something that pulses.

Goats tonight. Maybe. But I’m hoping for a taste of memory.

See, I don’t hunt like some rabid thing. I glide. I observe. There’s an art to it. The ranch down the hill is humming with tension. The animals are uneasy. The boy’s been drawing me in the dirt with a stick. Maybe he dreams me. Maybe I’m his imaginary friend. Or his warning.

The goat sees me. Doesn’t run. They never do. I whisper to her—soft, apologetic, like a gentleman at the gallows.

“Forgive me, darlin’. But you knew this was comin’.”

One bite. No pain. No mess. Just… relief. The soul surrenders. The blood sings. And for a moment, I remember… something human. A church bell. Laughter. The smell of peaches in a Georgia orchard.

Then it’s gone.

I disappear before the sun creeps back across the horizon like a nosy neighbor. Back to the dust. Back to the dreams of the fearful.

Tomorrow?

Tomorrow I might let them catch a glimpse. Just a flicker in the trees. A shadow on the fencepost. Enough to make ’em wonder if the legends are true.

Because I am the truth behind the legend.

And baby—I’m still very much alive.

Sometimes She Forgets ©️

The connection between alcohol and love, once cast in mythic gold, has a darker side—a side soaked not in romance but in ruin. For while the drink may unlock the heart, it often blinds the eye. It confuses want for worth, lust for loyalty, and thrill for truth. What begins as a liberation can end in entrapment, like a siren’s song luring a ship toward rocks just beneath the surface. Alcohol makes promises it cannot keep, and love born in its shadow often turns brittle by morning.

Metaphorically, this pairing is not a dance but a duel. Alcohol hands you a sword with no grip, and love dares you to fight with it. You swing wildly, drunk on potential, slashing through your own boundaries and illusions. But in the sobering light of day, you discover that you’ve cut yourself more deeply than anyone else ever could. You mistook chemistry for connection, body heat for soulmate warmth. And when it’s over, you aren’t just heartbroken—you’re hollowed out, wondering if any of it was real.

For some, this cycle becomes addictive. The chaos of love mixed with liquor becomes a kind of ritual sacrifice: you offer up your clarity, your safety, even your dignity, hoping for one more night that feels like meaning. You keep returning to that temple of illusion, drinking from the same poisoned chalice, hoping it’ll turn to wine again. But it doesn’t. It never does.

And then there is the fatal metaphor—not just the death of a romance, but the slow spiritual decay of the self. When love is always sought under the influence, it never quite touches the soul. You forget what sober love feels like, what real intimacy looks like. You come to believe that connection only happens in the haze, that the only way to feel close is to be far from yourself. In time, this belief erodes the heart, corrodes the mind. You become a ghost of your own longing, chasing phantoms in the dark, mistaking every kiss for salvation and every silence for damnation.

So yes, alcohol and love may be dramatic lovers in myth, but in life, they are often tragic. Together, they can conjure ecstasy—but more often, they conspire to destroy what’s sacred: trust, clarity, self-respect. And what is left, once the glamour fades, is not romance but wreckage. Not a story—but a warning.