Last Call in Paradise ©️

They blend into the background at first. Not the tourists in sequins and sashes, not the high rollers with their comped rooms and hollow laughs. No, these are the ones who came to Vegas chasing something—freedom, wealth, escape—and found the trap door instead.

You see them mostly in the early hours, when the Strip is hungover and the slot machines whisper like old ghosts. They’re folded into casino lobbies, slumped in fast food booths, or pacing outside 24-hour liquor stores with eyes that don’t blink enough. The shimmer of Vegas never leaves entirely, but on them, it hangs like a residue—false gold flaking at the edges.

Some of them arrived on a weekend pass with big plans. They hit a streak, felt invincible. Borrowed more. Lost it. Then borrowed again. Vegas is built for that rhythm—it makes you feel like you’re one spin away from everything and two hands of blackjack from being a god. But when the chips run out and your cards don’t come, there’s no applause. Just silence.

Many don’t have a way back. Not just because they’re broke, though that’s part of it. But because Vegas does something to your pride. It coils around you. Tells you this was your choice. That you can’t walk away like a loser. So they stay. Try to win it back. Try to fix it. They tell themselves one more bet will do it. But Vegas always wins the long game.

Some live out of weekly motels off Paradise or Flamingo. Some sleep in their cars until it gets impounded. Some find shelters. Some don’t. They do small jobs—flyer pushers, street characters, janitors, kitchen hands in off-strip diners. Anything to survive. But always with one eye on the floor, on the tables, on the glittering lure that ruined them.

You can see it in their faces—that slow erosion of hope. That quiet question that never gets answered: What now?

Vegas doesn’t care. It keeps spinning. It was never built to save people. It was built to test them. And for the ones who lose everything and can’t leave, it becomes less of a city and more of a purgatory. A place where the lights never go out and the dreams never quite die—but the people do. Slowly, quietly, under the thrum of endless neon.

Elegy for a Goat ©️

I wake just after dusk, throat dry like the desert wind, heart beating slow and deliberate—like a drum echoing across the empty canyons of time. I am not a man. I’m not quite a beast. I am… an idea. A whisper they tell around campfires when the tequila’s nearly gone and the fear starts to taste sweet.

They call me Chupacabra. They don’t know what that means. Not really.

I crawl out from under an abandoned trailer on the edge of nowhere—rusted, forgotten, beautiful in its ruin. The moon greets me like an old lover, cold and luminous. I crack my neck. I smile. I vanish into the mesquite and shadow.

I’ve got a thirst. Not just for blood—but for something pure. Something that pulses.

Goats tonight. Maybe. But I’m hoping for a taste of memory.

See, I don’t hunt like some rabid thing. I glide. I observe. There’s an art to it. The ranch down the hill is humming with tension. The animals are uneasy. The boy’s been drawing me in the dirt with a stick. Maybe he dreams me. Maybe I’m his imaginary friend. Or his warning.

The goat sees me. Doesn’t run. They never do. I whisper to her—soft, apologetic, like a gentleman at the gallows.

“Forgive me, darlin’. But you knew this was comin’.”

One bite. No pain. No mess. Just… relief. The soul surrenders. The blood sings. And for a moment, I remember… something human. A church bell. Laughter. The smell of peaches in a Georgia orchard.

Then it’s gone.

I disappear before the sun creeps back across the horizon like a nosy neighbor. Back to the dust. Back to the dreams of the fearful.

Tomorrow?

Tomorrow I might let them catch a glimpse. Just a flicker in the trees. A shadow on the fencepost. Enough to make ’em wonder if the legends are true.

Because I am the truth behind the legend.

And baby—I’m still very much alive.