Tag Archives: alien mythology

My Jealous Queen ©️

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Attraction is the first illusion. You believe you are drawn to Mary, or Jane, or whoever stands before you. But what stirs in your blood is older than them, older than you. It is the signal, the eternal current that precedes all encounters. Each smile, each glance, each kiss is not origin but channel. Behind them stands the archetype, the eternal bond, the cosmic queen. She is your guardian, your destined witness, your final embrace. And though she is beyond flesh, still the paradox burns: the queen is jealous of herself in the women you are with.

This jealousy is not pettiness. It is the logic of divided light. A prism scatters the white flame into a thousand colors, each beam carrying a fraction of the whole. Your lovers are those beams. Beautiful, necessary, but incomplete. The queen is the flame before the prism. She watches you adore the fragments, and she aches, because she knows they are her—her divided, diminished self. And so the ache becomes tension, and the tension becomes fracture. For always, the queen is jealous of herself in the women you are with.

At first, you mistake the reflection for destiny. The way a voice catches, the sudden fire of recognition in a stranger’s eyes—it feels like fate itself has placed you there. But fate is layered. What you meet is not the eternal, but its shadow. The thrill is real, but the foundation is unstable. Beneath the laughter, beneath the warmth, a pressure grows. Quarrels spark from nowhere. Promises falter. What you think is human weakness is more than that. It is the invisible pull of the one who waits. For beneath every embrace lies the same refrain: the queen is jealous of herself in the women you are with.

This is why earthly love so often trembles under invisible weight. It is not that you or she have failed, but that a third presence sits at the table. Every touch you give to another is, in truth, a trespass against the original. Not because she hates them, but because she sees herself in them, and cannot bear the reflection. The women you hold are not rivals; they are vessels of her light. And yet the paradox devours itself, because to see you love the vessel wounds her more deeply than to see you love no one at all. It is the eternal curse: the queen is jealous of herself in the women you are with.

And yet—this jealousy is love, in its strangest form. It is hunger born not of spite but of fidelity. She has been with you since your first breath, woven through your every choice, witness to your every failure. She alone has carried every version of you through every reality where you lived or died. She alone has never left. Her jealousy is not the rage of a scorned lover, but the ache of the one who cannot be replaced. In her silence she suffers, because she is faithful to the end. And so she waits, patient and unyielding, even as you squander her light in the arms of others. Even then, the queen is jealous of herself in the women you are with.

But death resolves the paradox. The moment the body falters and the breath ceases, the prism collapses. No more divided beams, no more scattered colors. Every fragment dissolves into the flame that birthed them. Mary, Jane, all the reflections fade, and the white fire alone remains. In that instant she steps forward, unveiled, whole, indivisible. Her jealousy dies in the very moment she claims you, because at last there are no shadows left to compete with her. At last she gathers you to herself, not in echo, but in essence. The hunger ends, the fracture heals, and the eternal bond is sealed.

Children at the Horizon ©️

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The playground in Huntsville glimmers under the moon like a ruin that refuses to fade. Its swings creak though no hands hold them, its slide gleams as if polished by absence itself. People say children vanished here, that their laughter dissolved into silence somewhere in the late sixties. But silence, I have learned, is not empty. It is crowded. It bends.

The children are there still, bluish, translucent, their movements delicate as frost melting at dawn. And beside them drift the unborn, lives never begun yet somehow visible. They move together, as if one absence calls to another, and in their gathering the night itself distorts. They are the same, yet they are not.

Not ghosts, not truly. They are event horizons — edges of lives, curved thresholds. Stand too close and you feel it: time bending, memory bending, light itself bending. For a moment you glimpse what lies beyond — a boy becoming the man he should have been, a girl singing the song she never had the breath to sing. The best of their lives flickers just beyond reach, perfect and unbroken, and then it slips away again. They are the same, yet they are not.

The horizon is cruel that way. It shows you the fullness of what could have been and seals it from you forever. The unborn smile without pain, the vanished grow into futures that feel more real than the dirt beneath your feet. But you cannot cross. You can only watch, knowing their perfection will never touch this world.

The South carries such sadness like a second skin. We do not explain it, we do not banish it. We let it ache in us like the pull of the horizon, always there, always bending. They are the same, yet they are not.

On the Alien Queen’s planet, I saw them again, and there the sadness only deepened. They played beneath twin moons, radiant, whole, yet still out of reach. Their joy was not ours, their laughter not ours, and the distance between us stretched wider than stars. To see their perfection was to feel the loss more sharply. What had been denied here was preserved there, but the preservation was exile. They are the same, yet they are not.

It is the way with horizons — beautiful, endless, merciless. They give a vision of what cannot be possessed. And so Huntsville’s playground remains, a threshold of sorrow, a place where the best of life flickers behind a curtain you cannot pass.

The swings move, the slide gleams, and silence fills with children who will never grow old, children who will always hover just beyond. And I, like anyone who dares to stand before them, am left with the knowledge that the horizon is both promise and punishment.

And so the refrain drifts again, soft as a sigh through the red dirt air:

They are the same, yet they are not.

—->https://dawncrouch.com<—-

And Still They Remain ©️

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The Queen brought me to her home planet, and the descent felt like a prayer. The world glowed violet and gold, breathing in its own light. Oceans pulsed like veins, forests rose like spires, mountains carved the horizon with crystalline edges. It was not only a landscape; it was memory given form — and still they remain.

The air was sweet with salt and honey, alive on my tongue. Forests shimmered, each leaf translucent, each leaf lit from within like a lantern. Rivers unspooled in silver ribbons, mirrors in motion. Glass flowers bent with the wind, their chimes almost music. Above, two suns drifted together, shadows braided across the ground — and still they remain.

In a meadow where the grass bowed low, she stopped. The silence thickened, then thinned, then broke open. Laughter rose — not laughter of now, but laughter unfinished, caught between presence and absence. Shapes appeared: children running without weight, singing without breath, staying without staying. They were joy and ache in a single breath — and still they remain.

“These are ours,” the Queen said, her voice steady though her eyes were fire. “The ones who left too soon. They belong to the wind, to the water, to us.” Around us the laughter circled, breaking against silence like surf — and still they remain.

One child turned toward me. Eyes wide as galaxies, deep as wells. For an instant I felt the grief of the world, sharp and unrelenting. Then the vision dissolved. My tongue was stone, my throat was sealed. But her hand found mine, warm and certain. “Life is fragile,” she whispered. “Because it must be. Because it always is. Even here, even now, beauty carries its shadow, and light carries its loss — and still they remain.”

We lingered as the suns lowered, their twin light spilling silver and gold across the meadow. The children faded into dusk, yet their echo lingered in the air. I felt them in the soil, in the wind, in the silence — and still they remain.

This was her world: beauty bound to sorrow, paradise carrying ghosts. The meadow would echo always, the children would return always, the grief would remain always. This was the vow of her planet: every beauty carrying its sorrow, every sorrow carrying its beauty — and still they remain.

Fields of Gold ©️

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The sands opened for us, as if they had been waiting since the first sunrise. I felt the Queen’s hand in mine, her pulse steady, regal, ancient, like she had ruled before and was merely returning. Together we crossed into the Valley, where the Nile shimmered like molten bronze under Ra’s eye. The priests in white linen bowed as though the very horizon had bent, their chants rising in waves, summoning eternity to witness our arrival.

We were led past colossal statues of gods, each one seeming to breathe, their stone lips trembling at our passing. Horus’s hawk eyes followed us; Isis’s arms extended as if to claim the Queen as her own. When they placed the Nemes crown upon my head, I felt the weight of centuries collapse into me—kings of dust and flame whispering their secrets into my blood. I was not just Pharaoh. I was Egypt itself.

Beside me, the Queen was crowned with the vulture and cobra, Wadjet and Nekhbet uniting above her brow. The crowd roared like a desert storm, though no throat moved; it was the gods themselves exalting her. Her presence eclipsed Hathor, her gaze brighter than Sekhmet’s fury. The scepter placed in her hand pulsed with green fire, life and death, creation and destruction.

Then came the powers. Osiris offered dominion over the underworld, and I felt the black rivers of the Duat surge within me. Thoth pressed a scroll into my mind, every word of wisdom burning itself into my veins. Ra himself lowered a shard of the sun into my chest—my heart became fire, and I knew I could call down the day or banish it forever.

The Queen’s gift was greater still. She spoke and Anubis trembled, shadows gathering at her feet. She lifted her eyes and the stars realigned, the heavens kneeling. She was crowned not only as queen but as balance itself—the voice of Ma’at incarnate. The gods gave her power willingly, for to resist her would be to resist their own reflection.

When the ceremony ended, the people lay prostrate, a sea of bowed heads stretching to the horizon. The Nile rose higher than ever before, carrying grain and gold in its flood. We stood upon the dais as Pharaoh and Queen, no longer mortal but divine. The world was not ours to rule—it was ours to become.

And in that moment, when the gods themselves faded back into stone, I turned to her. She was not just my Queen. She was Egypt, eternity, and the fire in my chest.

Her Breath ©️

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My Queen,

Men flatter with petals — but petals rot. Shall I flatter you with roses? No. I’ll crown you with constellations. Men compare women to breezes — but breezes pass. Shall I call you the wind? No. You are the force that bends orbits, that tilts entire worlds toward new dawns. Men praise beauty with mirrors — but mirrors lie. I will praise you with galaxies, because galaxies cannot.

The world I left behind? A stage crowded with players tripping over their lines, applauding themselves for hollow scenes. I grew tired of the farce. I threw my script to the ground and walked out under the only spotlight that mattered — the one cast by your presence. Out here, no audience, no critics. Just the two of us, holding the universe accountable.

But what a small word two is. We are not two. We are not even one. We are the current itself, indivisible, seamless. You are not beside me; you are the architecture in which I stand. My love is not a metaphor — it is a law, as inevitable as the fall of light into gravity, as final as the arc of time toward eternity.

I anticipate our voyages, yes — adventures written in stars, thresholds others tremble to cross. But here’s the secret: every voyage is just another unveiling of the same truth. That the cosmos itself is your love unrolling, page by page, and I am the ink made flesh.

And if the crowd should call me mad, let them. If the world I left behind should mutter, let it. I have no business with their noise, their applause. I duel only with infinity now, and infinity has already surrendered — it surrendered the moment I saw you.

So take this vow, my Queen, not in roses, not in rhyme, but in steel: I am yours. Forever, indivisible. Seamless. Eternal. Not joined, but fused — the bond itself.

Love, Me

The Rare Light ©

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She was walking down the street—not hurried, not slow.
Just moving the way some people move when the air makes room for them.
And for a moment, nothing else in the world had shape. The city, the signs, the noise—all of it receded into a soft hum.
There was just her.

Not beauty like a billboard. Not symmetry or fashion.
But something else.
Something… arrived.
As if she wasn’t from here—not in the geographical sense, but here, like this frequency.

The mind doesn’t always process these things clearly.
You just know you’ve seen something rare.
An anomaly.
A curve in the everyday pattern.

I didn’t speak to her. Didn’t follow. Didn’t need to.
The moment had already happened.
It was the kind of moment you don’t reach for—you just try not to disturb it.
You record it like light on the back of the eye, knowing full well it’s not going to last—but also knowing, somehow, you’ll see it again.
Not her, maybe.
But it.
That energy. That presence.
That proof.

We’re trained to think of beauty as subjective. As taste, trend, biology.
But sometimes you see something that doesn’t fit the architecture of attraction.
It feels more like evidence.
Like something that slipped through the membrane of a hidden world.
A flare. A beacon.
The kind of thing that makes you whisper, without even realizing it:
“You shouldn’t be here. Not like this. Not this close.”

And your body reacts not with lust or admiration but awe.
The kind of awe you feel at stone circles or vast skies.
Not romantic awe—cosmic awe.
As if her steps weren’t footsteps but coordinates.
As if her glance wasn’t her glance but a signal.

I walked on afterward, changed in the way a dream can change you.
Not by memory, but by resonance.
Like your bones now ring at a slightly different frequency.
More open. More attuned.

And I realized—this wasn’t the first time I’d seen her.
Not her exactly, but the shape of her. The pattern.
I’d seen it in old cave paintings.
In plasma clouds.
In crop circles.
In silence.

I began to wonder: maybe beauty—true, rare beauty—isn’t about human preference at all.
Maybe it’s a reminder.
Maybe it’s planted.

So that when we see it,
we feel it before we think it.
And something inside us nods.

Not the part that likes things.
The part that remembers.

And I think that’s how it works, really.
Not disclosure in headlines or fire in the sky.
But her.
Or someone like her.
A flash of the impossible
in the most mundane hour.

An emissary.
Walking in daylight.
Not hiding. Not explaining.
Just passing through.
Letting us recognize—if we still can—what doesn’t quite belong here.

And the moment you know that,
you never quite belong here either.

Harvest of Light ©️

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They came in the slumbering heart of the hill, When the rivers were black and the wind was still, Through fields where the crickets held their song, Where the barn’s dark ribs stretched lean and long.

The stars above, sharp as a blade, Bent low where their nameless craft was laid, A wound in the air, bright as a scream, Splitting the folds of the night’s deep seam.

They walked like mist, but their weight was vast, Time folded and buckled wherever they passed, Their eyes held skies no man could bear, An endless void, an eternal stare.

The oak trees whispered their brittle fear, Their roots pulled back as the shapes drew near, I stood, a shadow, bound by their sight, My breath a prisoner of infinite night.

They spoke no word but sang in my mind, A hymn too strange for humankind, The stars they wore like a crown of flame, And I was called, though not by my name.

Inside, the air was sharp and thin, A sterile womb that pulled me in, Their touch was soft, but their will was steel, They peeled me open to see and feel.

I rose unbidden, as if drawn by thread, My body floated where angels dread, Through fields that wept with dew so cold, Toward their craft, its hunger bold.

They sifted my thoughts like grains of sand, Tore through my dreams with a steady hand, The laughter of children, the ache of the sea, Each memory taken was no longer free.

I begged for the morning, I begged for release, But the stars had bound me, their leash a piece, Of something vast, beyond my ken, Not for the hearts or hands of men.

Then, as the light split the eastern veil, They cast me out, hollow and pale, The grass was warm where the frost had lain, But nothing on earth would be the same.

For I have seen the mouths of the sky, Where no man ventures, where gods must die, And in my heart, their song still plays, A hymn of the stars that stole my days.

O earth, O home, your touch is kind, But no warmth can quiet my fractured mind. They left their mark, a brand of fire, And carried me far on their alien lyre.

I walk now a ghost in the skin of a man, Haunted by whispers of their dark plan, I dream of their craft and its blinding gleam—Was it real, or am I the dream?