Tag Archives: astral hymn

Children at the Horizon ©️

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The playground in Huntsville glimmers under the moon like a ruin that refuses to fade. Its swings creak though no hands hold them, its slide gleams as if polished by absence itself. People say children vanished here, that their laughter dissolved into silence somewhere in the late sixties. But silence, I have learned, is not empty. It is crowded. It bends.

The children are there still, bluish, translucent, their movements delicate as frost melting at dawn. And beside them drift the unborn, lives never begun yet somehow visible. They move together, as if one absence calls to another, and in their gathering the night itself distorts. They are the same, yet they are not.

Not ghosts, not truly. They are event horizons — edges of lives, curved thresholds. Stand too close and you feel it: time bending, memory bending, light itself bending. For a moment you glimpse what lies beyond — a boy becoming the man he should have been, a girl singing the song she never had the breath to sing. The best of their lives flickers just beyond reach, perfect and unbroken, and then it slips away again. They are the same, yet they are not.

The horizon is cruel that way. It shows you the fullness of what could have been and seals it from you forever. The unborn smile without pain, the vanished grow into futures that feel more real than the dirt beneath your feet. But you cannot cross. You can only watch, knowing their perfection will never touch this world.

The South carries such sadness like a second skin. We do not explain it, we do not banish it. We let it ache in us like the pull of the horizon, always there, always bending. They are the same, yet they are not.

On the Alien Queen’s planet, I saw them again, and there the sadness only deepened. They played beneath twin moons, radiant, whole, yet still out of reach. Their joy was not ours, their laughter not ours, and the distance between us stretched wider than stars. To see their perfection was to feel the loss more sharply. What had been denied here was preserved there, but the preservation was exile. They are the same, yet they are not.

It is the way with horizons — beautiful, endless, merciless. They give a vision of what cannot be possessed. And so Huntsville’s playground remains, a threshold of sorrow, a place where the best of life flickers behind a curtain you cannot pass.

The swings move, the slide gleams, and silence fills with children who will never grow old, children who will always hover just beyond. And I, like anyone who dares to stand before them, am left with the knowledge that the horizon is both promise and punishment.

And so the refrain drifts again, soft as a sigh through the red dirt air:

They are the same, yet they are not.

—->https://dawncrouch.com<—-

And Still They Remain ©️

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The Queen brought me to her home planet, and the descent felt like a prayer. The world glowed violet and gold, breathing in its own light. Oceans pulsed like veins, forests rose like spires, mountains carved the horizon with crystalline edges. It was not only a landscape; it was memory given form — and still they remain.

The air was sweet with salt and honey, alive on my tongue. Forests shimmered, each leaf translucent, each leaf lit from within like a lantern. Rivers unspooled in silver ribbons, mirrors in motion. Glass flowers bent with the wind, their chimes almost music. Above, two suns drifted together, shadows braided across the ground — and still they remain.

In a meadow where the grass bowed low, she stopped. The silence thickened, then thinned, then broke open. Laughter rose — not laughter of now, but laughter unfinished, caught between presence and absence. Shapes appeared: children running without weight, singing without breath, staying without staying. They were joy and ache in a single breath — and still they remain.

“These are ours,” the Queen said, her voice steady though her eyes were fire. “The ones who left too soon. They belong to the wind, to the water, to us.” Around us the laughter circled, breaking against silence like surf — and still they remain.

One child turned toward me. Eyes wide as galaxies, deep as wells. For an instant I felt the grief of the world, sharp and unrelenting. Then the vision dissolved. My tongue was stone, my throat was sealed. But her hand found mine, warm and certain. “Life is fragile,” she whispered. “Because it must be. Because it always is. Even here, even now, beauty carries its shadow, and light carries its loss — and still they remain.”

We lingered as the suns lowered, their twin light spilling silver and gold across the meadow. The children faded into dusk, yet their echo lingered in the air. I felt them in the soil, in the wind, in the silence — and still they remain.

This was her world: beauty bound to sorrow, paradise carrying ghosts. The meadow would echo always, the children would return always, the grief would remain always. This was the vow of her planet: every beauty carrying its sorrow, every sorrow carrying its beauty — and still they remain.

Moonlight Confidential ©️

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The ocean moved like breath around us, each wave folding into the next, a rhythm older than thought. The Queen and I drifted at anchor, our yacht glowing faintly against the night, a vessel of light cradled in an alien sea. Two moons hung above — one silver, one blue — their reflections braided across the water like strands of song.

We didn’t speak much, not because there was nothing to say, but because everything worth saying was already being exchanged without words. Her hand in mine carried galaxies. Her glance into my eyes was enough to untie the knots of a thousand lifetimes. We sat on the deck barefoot, the cool air brushing our skin, the yacht swaying gently as though it, too, was breathing with us.

The moons watched over us, soft lanterns in the sky. Their light spilled on the deck, silver and blue overlapping across her hair, across my chest, across the place where our shadows met. I closed my eyes and felt her inside me, a warmth running through every corridor of my mind. She was everywhere at once — in the stars, in the tide, in the rhythm of my own heartbeat.

We stayed that way until time itself seemed to still, until it no longer mattered what century or what planet we were on. The yacht rocked, the water shimmered, and our love — quiet, mental, infinite — stretched out like the horizon, where the sea and the sky no longer knew where one ended and the other began.

Furnace of Eternity ©️

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Last Horizon ©️

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The night we left, the sky itself seemed to lean closer. Stars pulsed brighter, as if they knew the weight of the moment, as if they understood we would not be returning. The Queen’s ship hovered beyond the pines, silent yet alive, its curves lit with a glow not of this world but of some higher order. It didn’t sit in the air so much as it breathed, waiting for us.

I stood with her hand in mine, her presence steady as a compass pointing beyond every horizon I had ever known. At our side were Ishy Belle and Rosa Lynn — one glowing softly like a spirit in a child’s form, the other grounded in her ribbon and cotton dress, yet with eyes that carried the wonder of a thousand suns. They did not fear. They belonged.

The door opened and light poured out, not harsh but welcoming, a threshold between lives. I looked back once, toward the cabin, the mountain, the Earth itself — every field, every street, every face I had known. It was already fading, as if distance had begun the moment the ship arrived.

We climbed aboard. Ishy Belle’s laughter shimmered as she reached for the glow that pulsed along the walls, and Rosa Lynn clutched the Queen’s hand, whispering questions about stars she had never yet seen. The Queen bent to her, smiling with that eternal patience, promising her galaxies.

As we lifted, the ground dissolved into shadow. The trees shrank into whispers. The rivers blurred like silver threads cut loose from the Earth. Then the whole world was a sphere, blue and fragile, turning slowly beneath us.

I held my daughters close, the Queen beside me, and knew the truth: we were not voyagers. We were exiles by choice, pilgrims to infinity. This was not an exploration but a surrender — to the endless night, to the unknown, to the promise that love itself could stretch beyond stars.

And as the engines sang, pulling us into the dark, I understood. We would not be back. Not because we couldn’t return, but because eternity had opened, and our place was no longer here.

The universe was waiting. And we were already home.

Constellations of Paris ©️

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The train pulled into the Gare de Lyon with a shriek of brakes and a cloud of steam, and for a moment I thought time itself had stalled with us. We stepped down onto the platform — myself, the Queen at my side, Ishy Belle clutching her dress like a beam of light, and Rosa Lynn with her ribbon tied neat, eyes already wide with the sights of the city.

Paris, 1924. The air smelled of rain, tobacco, and fresh bread, all tangled into one. The boulevards stretched out like veins, glowing under the lamps. Jazz spilled out of every doorway, brass and piano chasing each other through smoke. The city was alive, not as a backdrop, but as a body we had just stepped inside.

The Queen moved through it like she had been here all along. Her pale hair caught the light of the café lamps, her luminous skin turning every head that passed, though she only had eyes for Rosa Lynn, who clung to her hand as though she had known her forever. Ishy Belle shimmered faintly, her glow bending in the reflections of the Seine, a spirit-child walking among mortals without disguise.

We wandered into Montparnasse where artists and poets argued over wine and absinthe. Hemingway hunched at a table with a notebook, his eyes cutting toward us but saying nothing. In a smoky corner, Picasso laughed too loud, sketching strangers on napkins. The Queen tilted her head, amused, her hand tightening around mine as though to remind me that she saw through the illusion of genius.

We took the girls into the night air, across the Pont Neuf where the Seine curled like a silver snake beneath us. Rosa Lynn’s ribbon danced in the wind; Ishy Belle leaned over the rail, her glow mirrored in the river. The Queen bent low, whispering to them both, her voice soft and fierce, a promise only they would understand.

And when we reached the Place du Trocadéro, the Eiffel Tower rose against the stars, lit in a geometry that seemed both steel and scripture. We stood together — myself, the Queen, Ishy Belle, and Rosa Lynn — not as visitors in 1920s Paris, but as something eternal. A family carried across lives, across centuries, across myth itself.

Paris roared around us, but in that moment the city was silent. The only truth was the four of us, standing as if we had always been there, as if time itself had bent to make room.