She enters the frame like a prophecy that forgot how to whisper. Every room changes temperature when she arrives. Every camera, every man, every god leans forward.
Focus.
There it is again—the shimmer that hides between seconds. You can see a future inside her, not yours, not hers, but something shared, a flicker of what the world might look like if it ever forgave itself.
Suspense. Suspense. Click.
The flash breaks the moment into fragments. Her face blooms in the afterimage—too alive for the stillness it’s trapped in. And then something happens: the light doesn’t bounce back. It stays. For the first time, I feel the lens turning. The air behind me thickens; the hum shifts pitch.
Another flash.
The set disappears. Now I’m inside the frame—caught in her reflection, held in the same illusion I thought I was creating. She is calm, infinite, almost bored, while I stand there, exposed, a man of glass believing he was the mirror.
I understand it then: beauty doesn’t pose—it observes. It studies the eyes that try to own it. Every woman I photographed was really the camera, and I was the subject being developed in the darkroom of her gaze.
Focus. Don’t blink.
She leans forward slightly; the light folds around her like a question. I feel the shutter close over me. Silence.
When the photo develops, she’s radiant—and somewhere, faint but visible. I’m there too: a ghost in the reflection, the admirer finally seen by what he could never possess.
It was not the Romans who killed him, though their nails pierced his flesh and their spears opened his side. They were faceless and obedient, the empire’s teeth chewing through another victim. No, the true crime was closer, crueler, more unbearable: his own people condemned him. They had waited centuries for the voice that would break their silence, and when it came, they choked it with their own hands. They chose the criminal over the Christ, the tyrant over the Son of God. In that choice, they pronounced judgment upon themselves. I saw their faces in the torchlight, not rejoicing but hollow, the features of those who have cursed their own bloodline, a curse that would trail them like ash drifting in air long after the fire is gone.
And when his last breath left him, the world fractured. The sky blackened with shame, the earth quaked as if to flee its own crime. I thought I would die in that instant, thought despair itself would strip me of breath and bury me. But I did not die. I remained, stranded in the hour of his absence, staring into the vacancy where he had been. The others wept, the others fled, but I stood rooted as if eternity had fused me to the ground. For grief, when it grows too large, ceases to be grief. It becomes a compass. It points not to solace, not to remembrance, but to pursuit. And pursuit devours a man until only pursuit remains.
I prayed not only to find him but to be possessed by him. If he could not walk beside me, let him walk inside me. If he would not rise to claim the earth, then let him hollow me and use my body as his burning shrine. And then something tore open in me—not death, not release, but a door I had not known could exist. A door allowing me to drape centuries upon seconds, draw what was yet to come into the ruin of now. Empires rose and rotted before my eyes, nations wandered like phantoms, unborn voices whispered with the hush of ghosts—and still his blood lay wet at my feet. I remained beneath the cross, yet I walked corridors where eternity itself bent and moaned.
So I followed him. Not in flesh, but in time, this blasphemous gift that let me step across centuries while still breathing air thick with dust and death. If he had gone into hell, then I would go too. If he had sunk into the pit, then I would sink after him. My body stood still, but my soul dragged itself across the fabric of days as though each moment were a wound I was forcing open. The halls were endless, the silence screaming, shadows bleeding into one another. Yet always, somewhere ahead of me, he slipped further into the dark. And still I reached.
But I know now that finding him will not be enough. For if I discover him in that abyss, if I stand at last face to face with the Christ, my task will be terrible. I must show him he is dead. Only in that unbearable truth can the resurrection burn. He must see himself extinguished, know himself swallowed by death, accept the void pressing against him—only then will he rise. If he forgets, he is lost. If he refuses, he is bound. I must be the executioner of memory, the one to drive the final nail of recognition, so that in that recognition, the grave itself is shattered.
Some men spend themselves chasing wealth, some glory, some the fleeting hand of love. They collapse, one by one, under the futility of their dream. But I pursue only him. Across centuries. Across silence. Across the black halls of hell. Though his people betrayed him and their curse falls upon them like a pall of endless ash, I will not betray my vow. My soul is burned clean of all else. I will not stop. I will stretch time until it screams, I will walk through fire until fire recoils, I will descend until the abyss itself breaks beneath me—and I will not rest until I find him, remind him, and see him rise again.
For pursuit, when it consumes all else, ceases to be pursuit. It becomes haunting. It becomes damnation. It becomes destiny. And I am haunted without release, damned without end, consumed by devotion that burns hotter than hell’s own fire. He is gone, yes, but I am still reaching, still bending time, still tearing eternity apart in search of him. And even if the universe collapses into nothing, I will still be at the center of that ruin, reaching for him in the dark, unwilling to let him go.
The room is thick with something you can’t name. A lazy ceiling fan moves in slow, uneven circles, stirring the warmth but not cooling it. The scent of something foreign lingers—spiced, unfamiliar, maybe perfume, maybe smoke, maybe both. A record spins somewhere in the background, crackling like it’s been played too many times but still hasn’t lost its charm. And then there’s her.
She sits across from you, draped, loose-limbed, unconcerned. A leg crossed over the other, her heel tapping against the air to the rhythm of a song neither of you are really listening to. Her glass of whiskey is half-empty. Yours is untouched. It’s always like this. The dance before the fall.
TEMPTATION (smiling slow, head tilted, watching you through heavy lids, fingers lazily trailing the edge of her glass)
“You’re always so tense when you look at me. Makes me wonder what you’re thinking.”
YOU (exhaling, shifting in your seat, studying the way she moves, the way she doesn’t have to try—she just exists and the room bends around her)
“I’m thinking about leaving.”
TEMPTATION (laughs, low and effortless, like smoke curling in the air, like she already knows the ending to this story)
“You always think about leaving. And yet.”
YOU (eyes flicker to the door, then back to her, pulse slow but deep, the rhythm off just enough to be dangerous)
“And yet.”
TEMPTATION (leans forward, elbows on the table, her skin catching the light, a glint of something gold at her wrist, maybe a bracelet, maybe a handcuff, maybe something else entirely)
“Tell me, why do you come back if all you want is to walk away?”
YOU (rolling the unspoken answer across your tongue like a cigarette unlit, something dangerous, something waiting to burn)
“Maybe I just like testing myself.”
TEMPTATION (smiles like she’s heard it before, like she’s tasted every version of that excuse and found them all sweet, but not quite satisfying)
“Oh, honey. That’s not it.”
YOU (inhales slow, watching her watching you, waiting for her to tell you what she already knows, because she always does, and you always let her.)
TEMPTATION (leans back, stretching like a cat that’s full but still wants to hunt, voice lazy, like a song dripping through the speakers at half-speed.)
“You come back because you like the way it feels. The chase. The almost. The maybe. You like the way I make you forget that you were ever sure about anything.”
YOU (clenching your jaw, but not hard enough to crack, just enough to feel it, just enough to know that she’s right.)
“And what if I want to remember?”
TEMPTATION (a pause, then a smirk, then a slow, slow shake of her head.)
“That’s cute.”
YOU (laughs under your breath, shaking your head too, but for different reasons.)
“You think I’ll give in first.”
TEMPTATION (shrugs, one shoulder slipping bare, but she doesn’t fix it, doesn’t care, doesn’t need to.)
“I don’t think, baby. I know.”
YOU (reaches for the whiskey, finally, because your hands need something to do, because her eyes are waiting, because she’s already made her move, and now it’s yours.)
“What if this time, you’re wrong?”
TEMPTATION (leans forward again, elbows back on the table, hands folded, her chin resting lightly on them, lazy, knowing, devastating.)
“Then I guess we’ll both have a new story to tell.”
The fan hums. The record crackles. The whiskey burns. She is still watching, and you are still here.
The man, now untethered from the constraints of time and reality, realized that his mission to save the world was not as straightforward as he had initially believed. Before he could take on the cosmic task of stitching together the frayed fabric of existence, he had to confront the darkness within himself—a darkness that had been festering, unnoticed, in the depths of his psyche.
He was like a child reborn, thrown into a world of chaos and uncertainty. Fear gripped him as he felt his mind shifting, the polarity of his thoughts flipping with the capriciousness of a storm. The forms he had once seen as mere shimmers now solidified into grotesque, malevolent shapes that danced in the periphery of his vision. Time itself became an unreliable ally, speeding up and slowing down with a maddening unpredictability that left him disoriented, his sense of self slipping through his fingers like sand.
And then it happened—an unmistakable, visceral sense of evil. It was as though the very essence of Satan himself had found a conduit into his world, seeping through the cracks of his perception and manifesting in the most insidious of places: his iPhone. The device, once a tool of convenience, now pulsed with a malevolent energy, its screen flickering with dark, incomprehensible symbols. It dawned on him that this device, this seemingly innocuous piece of technology, was the Antichrist, a portal for Satan to worm his way into the world.
In a frantic rush, driven by a primal need to rid himself of the evil, he fled his house, his feet pounding against the earth as he made his way to the Tennessee River. He began to get dizzy and sick to his stomach. The water, dark and cold, beckoned to him as the final resting place for the cursed device. Without hesitation, he hurled the iPhone into the river, watching as it sank beneath the surface, its screen still glowing faintly as it disappeared into the murky depths. “Sleep with the fishes,” he muttered, as though the phrase itself held some power to seal the act. He’d deal with the mermaids later.
But the act of casting away the phone did not bring the relief he had hoped for. His demons, which had been lurking in the shadows, now emerged in full force. They were not mere figments of his imagination but tangible entities, beings that could reach out from the ether and inflict real, physical pain. He became a grizzled warrior, a demon fighter battling these otherworldly forces with nothing but his will and his newfound understanding of the unseen.
The battles were fierce, each demon more cunning and brutal than the last. They clawed at his flesh, their spectral forms leaving marks that burned and bled. Yet he fought on, driven by the same burning desire that had once compelled him to save the world. Now, it was a fight for his very soul, a desperate struggle to cleanse himself of the darkness that had taken root within him.
In these moments of battle, time became a weapon—his control over it fluctuating as he learned to harness the power of the wormhole that had once threatened to consume him. He could slow down the demons’ attacks, giving himself precious moments to strike back, or speed up his own movements to gain the upper hand. It was a delicate balance, one that required every ounce of his remaining strength and sanity.
As he fought, he began to understand that this was not just a battle against external forces, but a confrontation with the darkest parts of his own mind. The demons were manifestations of his fears, his regrets, and his deepest, most hidden desires. To defeat them, he would have to face these aspects of himself, acknowledge them, and find a way to integrate them into his being without letting them take control.
And so, the man who had once been a digital artist, obsessed with creating worlds on a screen, found himself in a far more primal and terrifying reality—one where the stakes were not just his life, but the fate of his soul. He fought on now, not just for himself, but for the world he still believed he could save.
The man, known to the remnants of a neighborhood as quiet as the hills themselves, lived on the cusp of an age forgotten, on a mountain that watched over Huntsville, Alabama. His house, tucked away like a secret, stood amidst the tall pines, a place where the echoes of her rebel past lingered with the ghosts of men who once bore the title of genius—those Nazi scientists who had found refuge in the arms of the South, their brilliance repurposed, their sins obscured by the smokescreen of victory.
He, unlike them, was not a man of war but of pixels and algorithms, a digital hermit whose obsession had drawn him into the glowing abyss of a computer screen. He spent his days manipulating the unreal, fashioning shapes and forms with a precision that could only be described as obsessive. He would lose himself in the layering of images, the melding of colors, the sculpting of shadows. The 3D feature of Photoshop became his playground, a digital chisel with which he carved out worlds.
But it was not enough to merely create. There was something in him, a yearning that could not be satisfied by this two-dimensional plane of existence. He sought depth in his digital art, and in his quest, he found the wormhole—a visual anomaly, a twist in the digital fabric that defied explanation. At first, it was just a trick of the eye, a shimmer that appeared when the layers overlapped in a certain way. But as he stared into it, day after day, night after night, he began to see something more. The wormhole became a portal, a doorway not just through space, but through time itself.
He did not know when the shift occurred, when the boundary between the digital and the real began to blur. Perhaps it was the countless hours spent staring into the screen, or the way he felt the wormhole tugging at the edges of his mind, pulling him into its vortex. And then, one day, it released him—flung him from the constraints of time, his psyche untethered, drifting through the currents of reality like a leaf caught in a storm.
He wandered the mountain, no longer just a man but a being unstuck in time. Around him, the air shimmered with the presence of others—figures that moved like wraiths, their forms indistinct, their faces hidden behind veils of light. They were the echoes of what had been, or perhaps what could be, or even what should never be. He did not know, and the not knowing gnawed at him like a hunger.
With this release came a burden, a burning desire that gripped him like a fever. He had seen beyond the veil, seen the fragility of the world, and he knew—he knew with the certainty of a prophet—that it was his duty to save it. The world was unraveling, its threads coming loose, and only he, with his knowledge of the wormhole, could stitch it back together and not for the sake of his fellow mankind. His desire was a selfish one.
He returned to his computer, his fingers moving with a speed that was almost inhuman, the images on the screen blurring as he worked. He was creating again, but this time it was not art—it was salvation, cups of repose for the fallen. The wormhole had shown him the way, and he would use it, manipulate it, to set things right.
But as he worked, the shimmers grew closer, their forms more distinct, until he could see them clearly. They were not human, not exactly, but something else, something born of the wormhole’s influence. They watched him, their eyes like dark mirrors reflecting his own obsessions back at him.
He ignored them, his focus unwavering. The wormhole had released him from time, and in that release, he had found his purpose. He would save the world if only for himself.
And so he worked, alone on his mountain, surrounded by the ghosts of a past that was not his, haunted by the shimmers of a future that he could not fully comprehend, driven by a desire that burned hotter than the Alabama sun.
