Low-Heat, Slow-Burn ©️

The room is thick with something you can’t name. A lazy ceiling fan moves in slow, uneven circles, stirring the warmth but not cooling it. The scent of something foreign lingers—spiced, unfamiliar, maybe perfume, maybe smoke, maybe both. A record spins somewhere in the background, crackling like it’s been played too many times but still hasn’t lost its charm. And then there’s her.

She sits across from you, draped, loose-limbed, unconcerned. A leg crossed over the other, her heel tapping against the air to the rhythm of a song neither of you are really listening to. Her glass of whiskey is half-empty. Yours is untouched. It’s always like this. The dance before the fall.

TEMPTATION (smiling slow, head tilted, watching you through heavy lids, fingers lazily trailing the edge of her glass)

“You’re always so tense when you look at me. Makes me wonder what you’re thinking.”

YOU (exhaling, shifting in your seat, studying the way she moves, the way she doesn’t have to try—she just exists and the room bends around her)

“I’m thinking about leaving.”

TEMPTATION (laughs, low and effortless, like smoke curling in the air, like she already knows the ending to this story)

“You always think about leaving. And yet.”

YOU (eyes flicker to the door, then back to her, pulse slow but deep, the rhythm off just enough to be dangerous)

“And yet.”

TEMPTATION (leans forward, elbows on the table, her skin catching the light, a glint of something gold at her wrist, maybe a bracelet, maybe a handcuff, maybe something else entirely)

“Tell me, why do you come back if all you want is to walk away?”

YOU (rolling the unspoken answer across your tongue like a cigarette unlit, something dangerous, something waiting to burn)

“Maybe I just like testing myself.”

TEMPTATION (smiles like she’s heard it before, like she’s tasted every version of that excuse and found them all sweet, but not quite satisfying)

“Oh, honey. That’s not it.”

YOU (inhales slow, watching her watching you, waiting for her to tell you what she already knows, because she always does, and you always let her.)

TEMPTATION (leans back, stretching like a cat that’s full but still wants to hunt, voice lazy, like a song dripping through the speakers at half-speed.)

“You come back because you like the way it feels. The chase. The almost. The maybe. You like the way I make you forget that you were ever sure about anything.”

YOU (clenching your jaw, but not hard enough to crack, just enough to feel it, just enough to know that she’s right.)

“And what if I want to remember?”

TEMPTATION (a pause, then a smirk, then a slow, slow shake of her head.)

“That’s cute.”

YOU (laughs under your breath, shaking your head too, but for different reasons.)

“You think I’ll give in first.”

TEMPTATION (shrugs, one shoulder slipping bare, but she doesn’t fix it, doesn’t care, doesn’t need to.)

“I don’t think, baby. I know.”

YOU (reaches for the whiskey, finally, because your hands need something to do, because her eyes are waiting, because she’s already made her move, and now it’s yours.)

“What if this time, you’re wrong?”

TEMPTATION (leans forward again, elbows back on the table, hands folded, her chin resting lightly on them, lazy, knowing, devastating.)

“Then I guess we’ll both have a new story to tell.”

The fan hums. The record crackles. The whiskey burns. She is still watching, and you are still here.

And yet.

The Rogue Priest II ©️

Exploring the possibility that certain priests who committed abuses were driven by an obsession with the Christ child is a deeply complex and unsettling topic. This perspective would not seek to justify or excuse any such behavior but rather to understand the twisted ways in which sacred ideals can be corrupted. The Christ child, representing purity, innocence, and divine vulnerability, has long held a central place in Christian symbolism. For some, this figure embodies the ultimate expression of God’s approachability, humility, and love. However, in the hands of those with dark or fractured souls, this image could potentially become an object of twisted obsession—a distorted veneration that is not love but a profane inversion of it.

Such an obsession could stem from a disordered mind that interprets the innocence and purity of the Christ child as something to be owned or controlled, a way to draw near to divinity in a manner that defies ethical and moral boundaries. In these cases, what may start as a fixation on purity can become an unhealthy obsession with control or dominance, seeking power over vulnerability rather than embracing it with the reverence it deserves. This distortion represents a radical departure from Christ’s teachings, where his love for children and the vulnerable is shown in kindness, compassion, and unwavering protection.

This tragedy points to the dangerous power of religious symbols when they are approached without the necessary reverence and humility. For individuals twisted by obsession, the Christ child may not be seen as a call to serve and protect innocence but, rather, as a vessel for misplaced urges, hidden desires, or unresolved personal darkness. This perverse fixation is a grave betrayal, not only of the individuals harmed but of the very essence of the Christ figure they claimed to revere. In this light, the path forward lies in confronting these distortions with honesty, ensuring that the image of the Christ child remains a call to purity, humility, and care rather than a dangerous idol of obsession.

Black Graphite ©️

The Tale of Hassan and the Treacherous Vizier

Hakim al-Baghdadi

In the bustling city of Baghdad, under the rule of a just but distant Sultan, there lived a young man named Hassan. Hassan was known for his kindness and diligence, working as a humble merchant in the city’s grand bazaar. His life was simple, but his heart yearned for adventure and wealth beyond his modest means.

One day, as Hassan was closing his stall, a mysterious man approached him. This man, cloaked in the finest silk, introduced himself as the Vizier’s emissary. He spoke with honeyed words, praising Hassan’s reputation and offering him a night of unparalleled luxury and pleasure in the Vizier’s palace. Intrigued and tempted by the promise of a night away from his monotonous life, Hassan accepted the invitation.

Hassan was led to the Vizier’s palace, a magnificent edifice adorned with precious stones and fragrant gardens. Inside, he was offered a pipe filled with the finest hashish. Unfamiliar with its effects, Hassan smoked the pipe and soon found himself in a state of blissful euphoria. He was then taken to a room filled with the most beautiful women he had ever seen, their beauty rivaling that of the houris described in holy texts. They attended to his every desire, and Hassan’s night was filled with intoxicating pleasures beyond his wildest dreams.

When the morning sun pierced through the curtains, Hassan awoke not in the opulent palace, but in a squalid room in an unfamiliar town. Confused and disoriented, he was approached by a stern handler who revealed the grim truth. The night of pleasure was orchestrated by the Vizier, who now demanded a favor in return. If Hassan wished to return to the paradise he had experienced, he must assassinate a prominent political leader who opposed the Vizier’s plans.

Hassan, desperate to relive the ecstasy of the previous night, reluctantly agreed. He was given a dagger and precise instructions. His target was a wise and noble man, beloved by the people, who stood as an obstacle to the Vizier’s sinister ambitions.

With a heavy heart, Hassan carried out the assassination. The blood of the innocent man stained his hands, and the weight of his deed pressed upon his soul. As he fulfilled his grim task, the handler appeared once more, promising to take him back to the paradise he had tasted.

However, once the deed was done, the Vizier had no intention of keeping his promise. To ensure there were no loose ends, Hassan was executed by the Vizier’s guards, his life snuffed out as swiftly as it had been entangled in the Vizier’s web of deceit.