Low-Heat, Slow-Burn ©️

The room is thick with something you can’t name. A lazy ceiling fan moves in slow, uneven circles, stirring the warmth but not cooling it. The scent of something foreign lingers—spiced, unfamiliar, maybe perfume, maybe smoke, maybe both. A record spins somewhere in the background, crackling like it’s been played too many times but still hasn’t lost its charm. And then there’s her.

She sits across from you, draped, loose-limbed, unconcerned. A leg crossed over the other, her heel tapping against the air to the rhythm of a song neither of you are really listening to. Her glass of whiskey is half-empty. Yours is untouched. It’s always like this. The dance before the fall.

TEMPTATION (smiling slow, head tilted, watching you through heavy lids, fingers lazily trailing the edge of her glass)

“You’re always so tense when you look at me. Makes me wonder what you’re thinking.”

YOU (exhaling, shifting in your seat, studying the way she moves, the way she doesn’t have to try—she just exists and the room bends around her)

“I’m thinking about leaving.”

TEMPTATION (laughs, low and effortless, like smoke curling in the air, like she already knows the ending to this story)

“You always think about leaving. And yet.”

YOU (eyes flicker to the door, then back to her, pulse slow but deep, the rhythm off just enough to be dangerous)

“And yet.”

TEMPTATION (leans forward, elbows on the table, her skin catching the light, a glint of something gold at her wrist, maybe a bracelet, maybe a handcuff, maybe something else entirely)

“Tell me, why do you come back if all you want is to walk away?”

YOU (rolling the unspoken answer across your tongue like a cigarette unlit, something dangerous, something waiting to burn)

“Maybe I just like testing myself.”

TEMPTATION (smiles like she’s heard it before, like she’s tasted every version of that excuse and found them all sweet, but not quite satisfying)

“Oh, honey. That’s not it.”

YOU (inhales slow, watching her watching you, waiting for her to tell you what she already knows, because she always does, and you always let her.)

TEMPTATION (leans back, stretching like a cat that’s full but still wants to hunt, voice lazy, like a song dripping through the speakers at half-speed.)

“You come back because you like the way it feels. The chase. The almost. The maybe. You like the way I make you forget that you were ever sure about anything.”

YOU (clenching your jaw, but not hard enough to crack, just enough to feel it, just enough to know that she’s right.)

“And what if I want to remember?”

TEMPTATION (a pause, then a smirk, then a slow, slow shake of her head.)

“That’s cute.”

YOU (laughs under your breath, shaking your head too, but for different reasons.)

“You think I’ll give in first.”

TEMPTATION (shrugs, one shoulder slipping bare, but she doesn’t fix it, doesn’t care, doesn’t need to.)

“I don’t think, baby. I know.”

YOU (reaches for the whiskey, finally, because your hands need something to do, because her eyes are waiting, because she’s already made her move, and now it’s yours.)

“What if this time, you’re wrong?”

TEMPTATION (leans forward again, elbows back on the table, hands folded, her chin resting lightly on them, lazy, knowing, devastating.)

“Then I guess we’ll both have a new story to tell.”

The fan hums. The record crackles. The whiskey burns. She is still watching, and you are still here.

And yet.

Come to Bed ©️

You know, I could sit here all night, letting the whiskey burn slow, listening to the wind push against the window, thinking about a thousand things that don’t matter nearly as much as the one thing that does. You. Standing over there, just out of reach, looking at me like you already know how this ends but want to hear me say it anyway.

And I will.

Because the way that light catches in your hair, the way your skin shivers just slightly from the cool air, the way your lips part like you’ve got something clever to say but aren’t sure if it’s worth breaking the moment—darlin’, I don’t need poetry, philosophy, or the mysteries of the cosmos to tell me what I already know.

The night’s too long, the bed’s too empty, and I can’t think of a single damn reason why you shouldn’t be here instead of there.

So come on. Walk over here, slide under these sheets, and let’s forget about the rest of the world for a while. Let it wait. Let it turn without us.

Because right now, it’s just you and me. And I promise you, there’s nowhere else you’d rather be.

Ghetto Superstar ©️

It was one of those dreams where everything is softer, slower, like watching the world through a sheet of old glass. I was standing on a street that felt like somewhere I’d been before—a town that might have been mine, or maybe hers. The sky was a hushed shade of violet, the kind that happens just before a storm, when the world holds its breath.

And then Megan was there.

She wasn’t far, just at the edge of the sidewalk, half in the light, half in the shadows, her hair lifted slightly by a breeze that wasn’t real. She had that look—the one she used to give me when we were almost something. A tilt of the head, a trace of a smile, something unreadable in her eyes. I wanted to call out to her, but my voice caught in my throat, as if the dream itself had decided that words weren’t allowed.

She walked toward me, slow and deliberate, as if she knew the rules better than I did.

“You still dream about me?” she asked, though her lips never moved.

Not a single moment, not a single night, but all of it. The brush of her fingers once, in a crowded room. The way her laughter always seemed to linger in the air a little longer than anyone else’s. The almosts. The nearlys. The things that never happened but could have, should have.

I nodded.

And then, just like that, she was gone.

No fanfare, no goodbyes. Just the empty street, the hush of violet light, the feeling of something unfinished curling around the edges of the dream.

I woke up reaching for her name, but it slipped away like a wisp of smoke, vanishing before I could catch it.