
Hebrew Geisha ©️





Good morning, Cicely.
It’s quiet this morning. The kind of quiet where the trees seem to lean in just a little, where the coffee tastes more like a ritual than a drink. The kind of quiet that makes you think about where you came from—and who helped you get here.
I want to talk about my mom.
She was with my dad for forty-nine years. That’s longer than most buildings stand. That’s longer than some rivers hold their course. That’s love… tested and weathered and still somehow tender.
Now, my dad—he was a doctor. He stitched bones and mended wounds and carried the weight of other people’s pain home with him more nights than not. But my mom—she carried him. Carried the rest of us too. Not in some dramatic, spotlighted way. No. She did it the way great writers do things. Subtly. Line by line. Always building. Always listening.
See, she’s a writer. Not just of books or essays—but of people. Of moments. She taught me that a well-placed silence can be as powerful as a scream. That stories don’t need to be loud to last forever.
And she was—still is—the best mom a kid could ask for. She didn’t just raise me. She saw me. Even when I was trying hard not to be seen. She let me stumble, let me figure it out, and she always had the porch light on when I came back around.
And now that Dad’s gone… I find myself looking at her with new eyes.
She gave so much of herself for so long, and now I just want the rest of her life to be hers. I want her to write again—not for legacy, not for others, but for joy. I want her to feel how much she still matters, how much there is still waiting for her. Because she’s still got stories. Still got fire. Still got time.
Mom, if you’re listening… you don’t owe anyone a single thing anymore.
What I wish for you now is happiness. Pure, selfish, sunlight-on-your-face happiness. I want you to travel, to write what scares you, to laugh until you cry in places Dad never took you.
You carried us all for so long. Now let the wind carry you. Let the future be gentle and wide and yours.
This is Chris in the Morning, KBHR 570 AM, signing off for now. Sending love to the woman who gave me everything—and who I now wish everything for.

It was one of those warm Los Angeles nights where the heat doesn’t settle — it breathes. We’d left the windows open, not because we needed air, but because it made everything feel freer, looser, less confined. Roman was away in London. I was eight and a half months pregnant, swollen and exhausted, but glowing in a way only new mothers understand. I had friends over — Jay, Abigail, Voytek. People I trusted, people I loved. That house on Cielo Drive, for all its oddities, felt like a cradle suspended between earth and sky.
I had just finished brushing my hair in the dim mirror when I heard something strange — a crunching noise in the gravel drive, not urgent, but deliberate. I remember freezing, my hand halfway through the motion. You know how sometimes your instincts tap you on the shoulder before your brain catches up? That was the moment. A presence, like static in the air.
Jay was talking in the other room. Laughter, muffled music. Then silence.
Then the scream.
Not mine — not yet. His.
It was short. Cut off. I walked into the hall and looked toward the front room, and suddenly there she was.
A girl — young, wild-eyed, filthy, barefoot — standing inside my home like she’d grown out of the floorboards. She held a knife, but it wasn’t the blade that terrified me. It was the smile. The kind of grin children draw on cartoon monsters — wide, thrilled, absolutely vacant.
Behind her, more came. A tall man with dead eyes. A wiry boy muttering under his breath, face twitching like a broken marionette. Another girl — darker, heavier, chanting something I couldn’t make out.
Time unraveled then. What happened wasn’t a scene — it was a flood. I remember voices, commands that made no sense. “Pig.” “Rise.” “Kill the pigs.” They weren’t talking to us — they were talking through us. Like we were props in their theater of apocalypse.
I begged.
I wasn’t ashamed of it. I begged them to let me live, not for me — but for the baby. “Please. You can kill me after he’s born,” I said. I remember the way my voice cracked — not with weakness, but with conviction. I thought a mother’s plea would mean something.
The girl smiled.
She told me, “You’re gonna die, and that’s all there is to it.”
Then the knives came down. Again. Again. Again.
There’s a moment when pain becomes static — not because you stop feeling it, but because your mind splits. I remember seeing Jay on the floor, lifeless, face-down. I remember Abigail trying to crawl. Voytek screaming in Polish. The floor slippery. The air thick.
And through it all, I felt this — presence. He wasn’t there, but he was. Charles Manson. The conductor. The myth. The void in human shape.
He sent them. Told them to do something “witchy.” And they obeyed. Not because they were hypnotized — but because they believed him. That’s the horror people misunderstand. It wasn’t mind control. It was faith — the kind that grows in poisoned soil.
My final thought wasn’t about death. It was about the baby. About how I’d never hold him. About how Roman would come home to silence.
And then it was over.
They made headlines. They made cult lore. They made nightmares.
But I was a person. Not a symbol. Not a scream in someone else’s story. My name was Sharon. I was 26. I had dreams. I had love. I had a child growing inside me.
And that night, madness walked through my door — wearing the faces of children who thought they were angels of some twisted revelation.
But let it be known: I did not go quietly.
I fought with everything I had — because love does that.
Because mothers do that.
Because I was real.
And I still am.
