Faces We Borrow ©️

People look outside themselves for approval because they were taught—quietly, relentlessly—that worth is something bestowed, not born. From the moment a child draws a picture or speaks a truth, they learn to look for the reaction. Was it good? Did you smile? Did you nod? Did I do it right? That conditioning carves deep, and by the time they grow into adults, they’ve outsourced their sense of self to every mirror in the room.

But what’s rarely said—what’s almost never taught—is that this habit of comparison is the engine behind division. Racism, bigotry, classism, all of it—they’re built not just on hate, but on a desperate need to affirm the self by looking down at someone else. A person uncertain of their own value begins measuring others to create the illusion of superiority. When you don’t know who you are, you start defining yourself by who you aren’t.

Comparison is the problem.

Because as long as your worth is relative, you’re trapped. Trapped in the need to be better, smarter, purer, richer, whiter, more devout, less other. You become a machine of judgment, not out of malice, but out of scarcity. And that scarcity breeds the ugliest things in history.

But self-approval—real self-approval—is like a pair of scissors that cuts that cord. When you know who you are, deeply and without condition, you no longer need an enemy. You no longer need to posture or diminish or dominate. You no longer need to win a race that was designed to keep everyone running in circles.

That’s the revolutionary truth:A person who truly accepts themselves becomes immune to supremacy. They don’t need it. They don’t see the world that way anymore.

If everyone looked inward with the same intensity they project outward, racism wouldn’t need to be dismantled. It would wither from lack of purpose. It would starve. Because it was only ever a mask for something smaller:A person who didn’t know how to love themselves unless someone else was beneath them.

Juxtaposition of Souls ©️

Silent and Empty ©️

The Birth of Anime ©️

Yūka Hanabira

Anime, as a cultural phenomenon, is intricately connected to the profound psychological and sociopolitical transformations Japan underwent in the aftermath of the atomic bombings of Hiroshima and Nagasaki. To grasp this connection, one must understand the profound dislocation and collective trauma inflicted upon Japan, a nation that, until 1945, had never experienced defeat in modern warfare. The unprecedented devastation caused by the nuclear bombs led to an existential crisis, not just politically or economically, but culturally and spiritually.

The psychological impact of such overwhelming destruction fostered a society in deep contemplation of its identity, values, and future. This period of reflection, mixed with the rapid Americanization and technological advancement in the post-war era, created a unique cultural synthesis that eventually gave birth to anime.

The themes prevalent in early anime, such as those in Osamu Tezuka’s works, like “Astro Boy” (1963), reflect this synthesis. “Astro Boy” was born from a world that had to reconcile the horrors of nuclear annihilation with the rapid embrace of modernity and technology. The character of Astro Boy, a robot with a human heart, symbolizes Japan’s attempt to merge its cultural heritage with a futuristic, technological identity—a society grappling with the moral and ethical implications of technological advancement, much like the real-world implications of nuclear weapons.

Furthermore, anime’s penchant for apocalyptic scenarios, existential questioning, and the exploration of humanity’s relationship with technology can be seen as a direct outgrowth of the trauma of nuclear devastation. Works like “Akira” (1988) and “Neon Genesis Evangelion” (1995) don’t just entertain; they probe deeply into the psyche of a nation that has experienced the apocalyptic, asking what it means to rebuild, survive, and exist in a world where humanity’s technological prowess has reached god-like, destructive potential.

Thus, anime is not merely a form of entertainment but a medium through which Japan has processed and expressed the complex legacies of the atomic bombings—legacies that include both a fear of annihilation and a hopeful embrace of the future. The vibrant, imaginative worlds of anime are, in many ways, a direct response to the existential questions posed by the nuclear age, making it a uniquely Japanese expression of the human condition in the post-atomic era.