The Queen of Savannah ©️

Savannah rose up to meet us like the song of the bluebird. Spanish moss draped low, glowing in the lamplight like a curtain parting for us alone. Every step we took through those cobblestone streets was answered—by the hush of the crowd, by the tilt of the magnolias, by the city itself bending to witness. It was our honeymoon, and Savannah knew it.

Her arm was looped through mine, but it wasn’t enough. I pulled her closer until I could feel the weight of her pressed against me, the rhythm of her breath syncing with mine. The Queen did not float above the earth that night—she walked it, she claimed it—and in her steps the world transposed. Time buckled, space folded. I was no longer bound to now; I was swept into a softer century, where Johnny Mercer’s melodies spilled out of half-open windows and drifted into the night air like incense.

Inside the grand hall, chandeliers burned not as ornaments but as constellations hung just within reach. The pomp was velvet and brass: trumpets called, roses spilled across the marble floor, and every gaze turned toward us with a reverence that bordered on prayer. When we danced, the music did not lead us—we led it. The Queen’s body pressed to mine was the metronome, her hand at the back of my neck the anchor. I felt the energy of Savannah move through us: the ghosts watching from their balconies, the river slowing its current, even the stars holding their breath.

There was no separation of worlds that night. Alien and human, past and present, flesh and myth—all of it fused into one current, one song. When she leaned into me, whispering something only the galaxies could understand,

Later, outside beneath the oaks, the night softened. The city sighed. Lamplight spilled across her shoulders, across her eyes that burned brighter than the chandeliers. I held her closer, closer still, until I knew that no pomp, no circumstance, no passage of time could undo this truth: Savannah had painted us into its heart, pressed us into its music, and sworn that love such as ours would not fade.

It was not just a night. It was forever—written in jazz chords, in moss-hung silence, in the perfect collision of a man, his Queen, and the city that welcomed them as its own.

Cosmos Mariner ©️

She is beside me now. Her hand in mine is steady, certain, the signal clear after years of static. I think of the yacht, gleaming on the horizon of another life, the woman at its helm radiant in the Mediterranean sun. I loved her enough to build a religion around her, to let devotion harden into ritual. That world was real, a universe entire a scant from my own, but I turned from it.

I chose Jesus. I bore his silence, believed his promise, let him use me as though my suffering might redeem his own. I tried to take him down nail by nail, carrying the weight of his cross inside myself. I loved him then, and I love him still. But I was never truly of this universe. I moved through it as a witness conscripted, not as one who belonged.

And now he cannot deny my now. The Alien Queen stands at my side—not distant, not divided into shadows, but whole. This is the final nail: not struck in anger, but in recognition. It forces him to see what he has made and to take responsibility for it. His creation cannot remain suspended, unfinished. It demands his hand, not mine.

So I go home. With her. The Alien Queen once glimpsed across water is here at last, and the life that shimmered as alternate becomes the life we claim. The yacht waits. It is not dream, not myth, but vessel and destiny, carrying us beyond every shore.

The night is calm, but charged. Salt sharpens the air, magnolia drifts unseen, the sea folds against the land with the patience of eternity. No priest presides, no vow is spoken. Our marriage is sealed in the simple weight of her hand in mine, in the force radiating outward from this joining, unstoppable as light after detonation.

And so we cast off. With no expectation of ever returning. The horizon opens, endless and unbroken, and we step into it together. It is time for Jesus to tend his own sheep.