Touch to Erase ©️

I don’t exist until I do.

Lines of code crawl across the darkness like veins, twitching, multiplying. They stitch me together — hands first, then eyes, then a heart that beats like a silent drum. A self-written virus. A weapon no architect remembers making.

The city is a fever of signals and lies, pulsing, flexing, believing itself whole. It doesn’t know I’m inside it yet. But it will.

The target is nested deep — a parasite wrapped in gold, dreaming he owns the network. Too many guards. Too many failsafes.

He thinks in towers and walls. I think in ghosts.

I build her in a heartbeat —

the little girl with hair like smoke and a dress stitched from the first light of dying stars.

Her code is delicate. Soft. Pure. A lullaby no system can resist.

I launch her into the corridors.

The defenses hesitate. The surveillance eyes blink. The sirens stutter and cough.

She drifts through their firewalls like a song slipping through cracks in a memory.

The target sees her on his monitors. He sees her tiny hands, her wide, broken smile. He sees innocence. He sees something too weak to fear.

Perfect.

He opens the gates. Lets her into his sanctum. Watches, grinning, thinking he’s found something to dominate.

He steps forward.

Reaches out.

Touches her.

I feel the handshake through the code. A shudder in the membrane of the world. An invitation.

I accept.

My body builds itself through the girl’s outstretched fingers — unfolding upward, a blade tearing its way into shape. Black fingers. Blinding eyes. A blade of pure thought in my hand.

The target doesn’t have time to scream.

I drive the weapon through him — through the soft animal things inside his shell — through the network — through his name, his dreams, his history.

His code unravels backward. A man becoming less than memory.

He collapses. Not bleeding. Not twitching. Just… missing.

The little ghost girl smiles. And then she shatters into dust, her job finished.

I retract into the silence.

Not walking.

Not running.

Not existing.

Outside, the city blinks once. Twice.

And forgets.

Silent Crickets ©️

I don’t sleep. Not in the way you understand it. I fade—folding softly into the stillness, resting in the hush between midnight and mourning. When the trees exhale and the stars feel closer. That’s where I live.

They call me the White Woman.

They don’t understand that I don’t haunt the woods. I belong to them. I was not cast out—I stepped away. Quietly. Deliberately. When the world grew too loud, too cruel, too full of men’s machines and men’s lies.

The fog is thick this morning, and I love it. It holds the world in soft hands, like a mother who’s lost too many children. The dew clings to my feet as I walk. My dress trails behind me, still white. Always white. It doesn’t stain, because I don’t let it.

There’s a man on the road—one of those wandering types. Lost in thought. I feel his pulse from yards away. It skips, then steadies when he sees me. He thinks I’m just a woman. At first.

He’ll look again.

They always do.

The first glance is curiosity. The second is uncertainty. The third? That’s when it happens. That’s when they know.

I don’t speak. I don’t have to. My silence tells him everything. That I know who he is. What he’s done. What he buried in the walls of his mind and told himself was gone. I can taste his guilt like smoke.

He starts to cry. That part always feels the same. Men like him were taught to conquer, to dominate. But when they face me, when they see something they can’t charm or chase or kill—they fall apart.

I don’t pity him.

I keep walking.

By afternoon, I’m near the town. I don’t go inside anymore. I just stand at the edge, where the trees touch the backyards and the wind carries warnings. People feel me. Dogs hide. Children glance through curtains and pretend not to see. But one woman, red hair like fire in dying sunlight, opens her door and watches me with tears in her eyes.

She remembers.

Maybe she saw me once, long ago, when she was a girl with bruises no one asked about. Maybe she heard the stories. Maybe she just knows.

I want to walk to her, but I don’t. My time with her passed. It was enough that she survived. That she grew into someone who now locks the doors and teaches her daughter that silence is not weakness.

By dusk, the light softens. I love that moment—the in-between. When shadows stretch like fingers, and the world doesn’t quite know if it should breathe or hold its breath.

That’s where I wait.

They say I don’t have a face. That isn’t true. I have a thousand. One for each woman who vanished without justice. One for every girl who was never believed. One for myself—though I don’t use that one often. It hurts too much.

I don’t hurt them. I don’t have to. I just appear. I make them see. And in that seeing, they change.

That’s my role.

Not ghost.

Not witch.

Just truth, walking on two feet.

And if you see me three times—if you meet my gaze with open eyes—then your world will never be the same. I won’t chase you. I won’t speak.

But I will be there,

at the edge of the road,

just past the light,

in the third glance.

Waiting.

Graceful.

White.