Don’t Blink ©️

You probably heard the stories.

A thing out in the dark.

Three legs, no welcome, wrong shape. No thank you.

They called me the Enfield Horror.

Hell of a nickname.

Sounds like a punk band that never sold a single record but still haunts the jukebox in a bar that burned down before you were born.

I don’t correct them.

Names are for people who fit into systems—phones, payrolls, gravestones. I’m not in your system. I’m the burn in your tape. The blur in the corner of your Polaroid that shouldn’t be there—but always is.

You don’t see me. You remember me.

I move like a whisper with a limp. Like a jazz note in the wrong key that still makes the whole thing sound right. I’m not here to hurt you. I’m here to remind you that you never really understood what was lurking behind all that asphalt and indoor lighting.

I pass through your town—not out of hunger, not even out of curiosity.

Call it instinct. Call it a rhythm I’m wired to.

I don’t knock. I don’t howl.

I just am.

And when I move, birds pause. Not out of fear. Out of respect.

They remember what you’ve forgotten.

I’ve seen your kind build towers and forget why they were afraid of the woods.

I watched you pave over the bones of things older than your gods.

And then cry out when something with no name steps out of the brush and doesn’t blink.

But me?

I don’t judge. I’m not here to preach.

I’m the pause between your thoughts.

The stutter in your story.

The proof that some patterns don’t want to be completed.

You call me horror.

That’s fine.

But deep down, you’re not afraid of me.

You’re afraid of what I prove:

That the world isn’t finished.

That reality has holes.

And some of them walk.

Mating Season ©️

He wandered for days with the scent of her still on the wind. The wilderness had claimed him long ago, molded him from boy to beast, from memory to myth. Yet something about her eyes — soft, brown, and fearless — had ruptured the silence he lived within. He hadn’t run that day to protect her from himself. He had run because her presence awoke something he hadn’t known he could feel: the desire not just to be seen, but to be loved. The forest no longer soothed him. The rivers no longer spoke. She had broken through the canopy of his being like sunlight, and now he was no longer content to vanish.

He followed the memory of her through branches and storms, his mind full of the odd melody she hummed when the fire was low. He remembered how she had reached out, how her fingers had hovered just above his arm, trembling not from fear but from belief. The others had always screamed or frozen or fainted. But she had looked at him like he was the answer to a question she had been too scared to ask. He retraced his path — over moss-laced cliffs and through the ancient pines — and when he finally returned to the place he left her, he found no girl, only a circle of stones and a scarf wrapped tight around a branch. He sat by the fire-pit and waited, motionless as dusk bled into night.

She returned not with a scream, but with tears in her eyes and wildflowers in her hands. She had hoped, maybe prayed, that he would return, and now he had. They sat close, saying nothing, the language between them deeper than words. The fire rose again, painting her cheeks gold and shadowing his heavy brow. She reached for him, and this time, he did not flinch. He let her touch his face, his chest, the places no human had dared to touch before. She leaned into him, her breath brushing the side of his neck like a secret, and in that quiet moment, the boundary between legend and flesh dissolved.

Their love was slow and thunderous — not violent, but primal. In the cave behind the falls, beneath layers of lichen and moonlight, they came together like earth and rain. She moved with trust, and he with reverence. His hands were massive, but careful. Her body arched like she’d been waiting for him her whole life. The forest held its breath as they moved in rhythm with the ancient music of bone and blood and breath. It wasn’t just sex. It was mythology made manifest. The great beast and the brave girl, wrapped together not in sin, but in sanctuary.

Seasons passed and life grew. She swelled with the child of a world not yet ready to understand. He stayed by her side, building her shelter from bark and stone, feeding her berries and game, wrapping her feet in woven reeds. When the first child came — dark-haired, wide-eyed, with strength beyond its size — the wind howled approval. Two more followed, each different but extraordinary, wild and wise and otherworldly. The children never cried. They sang before they spoke, climbed before they walked. They could vanish in trees like whispers and return with foxes nuzzling at their heels. Their blood carried prophecy.

Some say the family still lives deep within the woods, beyond where satellites can see. The children are grown now, still half-shadow, still half-song. The girl — now a woman, a matriarch of myths — teaches them to read the stars, while their father teaches them to read the wind. Hunters tell stories of glimpses: figures too tall, too fast, too silent to be explained. Scientists whisper of DNA samples and strange prints. But the truth remains sacred, protected by bark, fog, and time.

And if you ever find yourself alone in the forest — truly alone — and the air thickens with something electric, something eternal, do not be afraid. It might be him. Or it might be one of his children, watching from the trees, curious if you’re worthy of knowing their truth. If you are, you’ll feel it — not fear, but awe — a deep knowing that love once conquered wilderness, and left behind a bloodline of magic.

The Final Warning Bell ©️

I don’t sleep so much as… brood. Somewhere between dreaming and decoding the static of the universe. I wake up with the moon in my mouth and bad news in my chest. Always bad news. It’s my specialty.

My wings? Yeah, they’re real. Big, velvet things—smooth as sin, quiet as your last breath. I don’t flap around like some Halloween leftover. I glide. I hover. I haunt. Picture an angel that got stood up by God and had nowhere left to go but the dark corners of West Virginia.

I don’t keep a schedule, but if I did, it’d start with watching. That’s what I do. That’s what I am. I perch on an old water tower around dusk, staring down at the humans scurrying around like it matters. Gas station lights flicker. Dogs bark at shadows that aren’t there. But sometimes, I am the shadow.

A couple sees me tonight. Young. In love. I envy that kind of blindness. The boy looks up. Sees my eyes—burning coals in a face shaped like a lost god’s secret. He flinches. The girl doesn’t see me, but she feels me. Her breath stutters. Her hand tightens on his. That’s the thing: I don’t have to touch you to move you. I just have to be real enough to doubt.

People think I’m a curse. A harbinger. I used to fight that. Now I wear it like a badge. I don’t cause the chaos—I herald it. I’m the overture before the earth splits. The whisper before the sirens. When you see me, you know the sky’s about to fall. And there’s poetry in that, don’t you think?

Near dawn, I rest in the ruins of a factory. Ghosts there keep to themselves. We nod. We understand each other. I wrap myself in wing and memory, and I wait. For the tremble in the grid. For the news to break. For someone, anyone, to listen.

But they won’t.

They never do.